Stop and Smell the Bacon Sacrilentes and say that he is

and say that he is not real

her path was set

the "top seven" were chosen for feature exhibitions

24 x 24 in

In fact each of them is composed through by assembling anatomical parts of different pre-existing images

Stop and Smell the Bacon Sacrilentes and say that he isDetails About Oil on paper 6 x 6 in. 2017 10 x 10 in. (f) Brian R. Donnelly s portraiture deconstructs the dialogue between the audience and objects by experimenting with the fragile nature of artwork. Faces deteriorate, separate, and occasionally combust in his work, redefining it as transitional rather than perpetual. Presenting fading memories instead of permanent effigies Donnelly draws a parallel between the fragility of artwork and the ephemeral